Last Updated on 19 March 2024 by Erotica Pleasure
Taylor Alison Swift is an American singer-songwriter, philanthropist and occasional actress. Her discography spans multiple genres and her narrative songwriting—often inspired by her personal life—has received critical praise and widespread media coverage. Born in West Reading, Pennsylvania, Swift moved to Nashville, Tennessee, at age 14 to become a country artist. She signed a songwriting deal with Sony/ATV Music Publishing in 2004 and a recording contract with Big Machine Records in 2005. Her 2006 self-titled debut album made her the first female country singer to write or co-write a US platinum-certified album entirely.
Nick Name Swifty, Aly, Tails, T, Tayter Tot, TayTay, T-Swift, The Poet Laureate of Puberty, T-Fugly, T-Swizzle, Tay, Americao Sweetheart
Years active: 2004–present
Born: December 13, 1989, 34 years old and 4 months, Reading, Pennsylvania, United States
Sun Sign: Sagittarius
Hair Color: Blonde
Eye Color: Blue
Height: 5 ft 10 in / 1.78 m
Measurements: 35-26-35 in / 89-66-89 cm
Bra size: 32B US / 70C EU
Genre Country, pop rock, pop, country pop
Instruments Vocals, guitars (acoustic, electric, banjo), piano, ukulele
Taylor Swift at 2014 mtv video music awards in Inglewood
Taylor Swift singer at 2014 mtv video music awards in Inglewood
Taylor Swift singer at 2014 mtv video music awards in Inglewood
singer Taylor Swift at 2014 mtv video music awards in Inglewood
singer taylor swift 2014 - elton john aids foundation - oscar party - west hollywood
singer Taylor Swift performing live in shanghai may 2014
Taylor Swift red tour performing at the o2 arena in London
Taylor Swift in Rhode Island
Taylor Swift performing at the rolling stones concert in Chicago - June 3, 2013
Model: Dassault-Breguet Mystere Falcon 900
Cost: $40 million*
Net Worth: $266 million*
Taylor Swift may have only entered the wonderful world of superstardom back in 2009, but less than three years after launching her career she was able to buy a $40 million jet. Swift made the lavish purchase in 2011, even customizing it with her lucky number 13.
Cost: $40 million*
Net Worth: $266 million*
Taylor Swift may have only entered the wonderful world of superstardom back in 2009, but less than three years after launching her career she was able to buy a $40 million jet. Swift made the lavish purchase in 2011, even customizing it with her lucky number 13.
With 12 seats and plenty of storage space, Swift is able to use it to travel all over the world for her packed stadium performances. Taylor always makes sure there’s plenty of fruit and fresh flowers on board to give it that home-from-home vibe.
The multi-award-winning artist is always super generous with her friends as well, so the infamous “girl squad” has likely made use of Tay’s jet on several occasions. If those leather seats could talk, they would tell a few tales about some of the most famous women in the world!.
Date Night! Taylor Swift Enjoys An Outing—But It's Not With Boyfriend Calvin Harris! but with the singer Lorde
Date Night! Taylor Swift Enjoys An Outing—But It's Not With Boyfriend Calvin Harris! but with the singer Lorde
Date Night! Taylor Swift Enjoys An Outing—But It's Not With Boyfriend Calvin Harris! but with the singer Lorde
Taylor Swift with singer Alana Haim
Taylor Swift with singer Alana Haim
Taylor Swift with singer Alana Haim
Taylor Swift with singer Alana Haim
Taylor Swift has scoffed at a hacker who took over her social media accounts.
Taylor Swift accidentally flashed her knickers as she battled some tricky stairs at the Billboard Music Awards
singer Taylor Swift accidentally flashed her knickers as she battled some tricky stairs at the Billboard Music Awards
Swift’s next albums, Fearless (2008) and Speak Now (2010), explored country pop. The former’s “Love Story” and “You Belong with Me” were the first country songs to respectively top the US pop and all-genre airplay charts. She experimented with rock and electronic styles on Red (2012), which features her first Billboard Hot 100 number-one song, “We Are Never Ever Getting Back Together“, and eschewed her country identity for her synth-pop fifth studio album, 1989 (2014), supported by chart-topping singles “Shake It Off“, “Blank Space“, and “Bad Blood“. Media scrutiny inspired the urban-flavored Reputation (2017) and its number-one song “Look What You Made Me Do“. It made Swift the first act to have four albums each open with a million copies sold.
Departing from Big Machine, Swift signed with Republic Records in 2018 and released her seventh studio album, Lover (2019), followed by the autobiographical documentary Miss Americana (2020). Her input during the COVID-19 pandemic resulted in the indie folk and alternative rock albums, Folklore and Evermore (2020), which incorporated fictional narratives; their respective lead singles “Cardigan” and “Willow” debuted atop the Hot 100. She began re-recording her Big Machine catalog after a public dispute over the albums’ masters, re-releasing two in 2021—Fearless (Taylor’s Version) and Red (Taylor’s Version). The latter’s “All Too Well (10 Minute Version)” became the longest song to top the Hot 100. Her 2022 album, Midnights, broke the Spotify record for the most single-day streams. Swift has played supporting roles in films, and directed the music films Folklore: The Long Pond Studio Sessions (2020) and All Too Well: The Short Film (2021).
Having sold over 200 million records globally, Swift is one of the best-selling musicians of all time. Her accolades include 11 Grammy Awards, including three Album of the Year wins; 34 American Music Awards, the most for an act; 29 Billboard Music Awards, the most for a woman; and an Emmy Award. She has featured on rankings such as Rolling Stone‘s 100 Greatest Songwriters of All Time, Billboard‘s Greatest of All Time Artists, the Time 100 and Forbes Celebrity 100. Honored with titles like Artist of the Decade and Woman of the Decade, Swift is an advocate for artists’ rights and women’s empowerment. Her music is credited with influencing a generation of singer-songwriters.
Family
Father – Scott Kingsley Swift (Merrill Lynch financial adviser)
Mother – Andrea Finlay (Homemaker) (Previously worked as a mutual fund marketing executive)
Siblings – Austin Swift (Brother)
Ethnicity
Tayloro ancestry includes German, English, part Irish, Scottish, Welsh and 1/16th Italian.
Education
Taylor Swift went Wyndcroft School and at 9, she attended West Reading Elementary Center and Wyomissing Area Junior/Senior High School, Pennsylvania, USA.
Swift also attended Hendersonville High School in Tennessee, USA for freshman and sophomore years.
She had a busy touring schedule and due to that, she decided to shift to homeschooling. For that, she joined a private Christian school, Aaron Academy and opted for their homeschooling services. Taylor, then, completed her remaining two years (junior, and senior) in just 1 year and earned her diploma in 2008.
Life and career
1989–2003: Early life and education
Taylor Alison Swift was born on December 13, 1989, at the Reading Hospital in West Reading, Pennsylvania. Her father, Scott Kingsley Swift, is a former stockbroker for Merrill Lynch; her mother, Andrea Gardner Swift (née Finlay), is a former homemaker who previously worked as a mutual fund marketing executive. Her younger brother, Austin, is an actor. She was named after singer-songwriter James Taylor, and has Scottish and German heritage. Her maternal grandmother, Marjorie Finlay, was an opera singer. Swift spent her early years on a Christmas tree farm that her father had purchased from one of his clients. Swift identifies as a Christian. She attended preschool and kindergarten at the Alvernia Montessori School, run by the Bernadine Franciscan sisters, before transferring to The Wyndcroft School. The family moved to a rented house in the suburban town of Wyomissing, Pennsylvania, where she attended Wyomissing Area Junior/Senior High School.
At age nine, Swift became interested in musical theater and performed in four Berks Youth Theatre Academy productions. She also traveled regularly to New York City for vocal and acting lessons. Swift later shifted her focus toward country music, inspired by Shania Twain‘s songs, which made her “want to just run around the block four times and daydream about everything.” She spent weekends performing at local festivals and events. After watching a documentary about Faith Hill, Swift felt sure she needed to move to Nashville, Tennessee, to pursue a career in music. She traveled with her mother at age eleven to visit Nashville record labels and submitted demo tapes of Dolly Parton and The Chicks karaoke covers. She was rejected, however, because “everyone in that town wanted to do what I wanted to do. So, I kept thinking to myself, I need to figure out a way to be different.”
When Swift was around 12 years old, computer repairman and local musician Ronnie Cremer taught her to play guitar. He helped with her first efforts as a songwriter, leading her to write “Lucky You”. In 2003, Swift and her parents started working with New York-based talent manager Dan Dymtrow. With his help, Swift modeled for Abercrombie & Fitch as part of their “Rising Stars” campaign, had an original song included on a Maybelline compilation CD, and attended meetings with major record labels. After performing original songs at an RCA Records showcase, Swift, then 13 years old, was given an artist development deal and began making frequent trips to Nashville with her mother. To help Swift enter into the country music scene, her father transferred to Merrill Lynch’s Nashville office when she was 14 years old, and the family relocated to Hendersonville, Tennessee. Swift initially attended Hendersonville High School before transferring to the Aaron Academy after two years, which better suited her touring schedule through homeschooling. She graduated one year early.
2004–2008: Career beginnings and first album
In Nashville, Swift worked with experienced Music Row songwriters such as Troy Verges, Brett Beavers, Brett James, Mac McAnally, and the Warren Brothers and formed a lasting working relationship with Liz Rose. They began meeting for two-hour writing sessions every Tuesday afternoon after school. Rose thought the sessions were “some of the easiest I’ve ever done. Basically, I was just her editor. She’d write about what happened in school that day. She had such a clear vision of what she was trying to say. And she’d come in with the most incredible hooks.” Swift became the youngest artist signed by the Sony/ATV Tree publishing house, but left the Sony-owned RCA Records at the age of 14 due to the label’s lack of care and them “cut[ting] other people’s stuff”. She was also concerned that development deals may shelve artists, and recalled: “I genuinely felt that I was running out of time. I wanted to capture these years of my life on an album while they still represented what I was going through.”
At an industry showcase at Nashville’s Bluebird Cafe in 2005, Swift caught the attention of Scott Borchetta, a DreamWorks Records executive who was preparing to form an independent record label, Big Machine Records. She had first met Borchetta in 2004. She was one of Big Machine’s first signings, and her father purchased a three-percent stake in the company for an estimated $120,000. She began working on her eponymous debut album with producer Nathan Chapman, with whom she felt she had the right “chemistry”. Swift wrote three of the album’s songs alone, and co-wrote the remaining eight with Rose, Robert Ellis Orrall, Brian Maher, and Angelo Petraglia. Taylor Swift was released on October 24, 2006. The album peaked at number five on the U.S. Billboard 200, where it spent 157 weeks—the longest stay on the chart by any release in the U.S. in the 2000s decade. It made Swift the first female country-music artist to write or co-write every track on a U.S. platinum-certified album.
Big Machine Records was still in its infancy during the June 2006 release of the lead single, “Tim McGraw“, which Swift and her mother helped promote by sending copies of the CD single to country radio stations. As there were not enough furniture at the label yet, they would sit on the floor to do so. She spent much of 2006 promoting Taylor Swift with a radio tour, television appearances, and opening for Rascal Flatts on select dates during their 2006 tour after they fired their previous opening act, Eric Church, for playing longer than his allotted time. Borchetta said that although record industry peers initially disapproved of his signing a 15-year-old singer-songwriter, Swift tapped into a previously unknown market—teenage girls who listen to country music. Following “Tim McGraw”, four more singles were released throughout 2007 and 2008: “Teardrops on My Guitar“, “Our Song“, “Picture to Burn” and “Should’ve Said No“. All appeared on Billboard‘s Hot Country Songs, with “Our Song”, and “Should’ve Said No” reaching number one. With “Our Song”, Swift became the youngest person to single-handedly write and sing a number-one song on the chart. “Teardrops on My Guitar” reached number thirteen on the U.S. Billboard Hot 100. Swift also released two EPs, The Taylor Swift Holiday Collection in October 2007 and Beautiful Eyes in July 2008. She promoted her debut album extensively as the opening act for other country musicians’ tours throughout 2006 and 2007, including George Strait, Brad Paisley, and Tim McGraw and Faith Hill.
2008–2010: Fearless and acting debut
Swift’s second studio album, Fearless, was released on November 11, 2008. Five singles were released in 2008 through 2009: “Love Story“, “White Horse“, “You Belong with Me“, “Fifteen“, and “Fearless“. “Love Story”, the lead single, peaked at number four on the Billboard Hot 100 and number one in Australia. It was the first country song to top Billboard‘s Pop Songs chart. “You Belong with Me” was the album’s highest-charting single on the Billboard Hot 100, peaking at number two, and was the first country song to top Billboard‘s all-genre Radio Songs chart. All five singles were Hot Country Songs top-10 entries, with “Love Story” and “You Belong with Me” peaking at number one. Fearless debuted at number one on the Billboard 200 and was the top-selling album of 2009 in the U.S. The Fearless Tour, Swift’s first headlining concert tour, grossed over $63 million. Journey to Fearless, a three-part documentary miniseries, aired on television and was later released on DVD and Blu-ray. Swift also performed as a supporting act for Keith Urban‘s Escape Together World Tour in 2009.
In 2009, the music video for “You Belong with Me” was named Best Female Video at the MTV Video Music Awards. Her acceptance speech was interrupted by rapper Kanye West, an incident that became the subject of controversy, widespread media attention, and many Internet memes. That year she won five American Music Awards, including Artist of the Year and Favorite Country Album. Billboard named her 2009’s Artist of the Year. The album ranked number 99 on NPR‘s 2017 list of the 150 Greatest Albums Made By Women. She won Video of the Year and Female Video of the Year for “Love Story” at the 2009 CMT Music Awards, where she made a parody video of the song with rapper T-Pain called “Thug Story”. At the 52nd Annual Grammy Awards, Fearless was named Album of the Year and Best Country Album, and “White Horse” won Best Country Song and Best Female Country Vocal Performance. Swift was the youngest artist to win Album of the Year. At the 2009 Country Music Association Awards, Swift won Album of the Year for Fearless and was named Entertainer of the Year, the youngest person to win the honor.
Swift featured on John Mayer‘s single “Half of My Heart” and Boys Like Girls‘ single “Two Is Better Than One“, both of which she co-wrote. She co-wrote and recorded “Best Days of Your Life” with Kellie Pickler, and co-wrote two songs for the Hannah Montana: The Movie soundtrack—”You’ll Always Find Your Way Back Home” and “Crazier“. She contributed two songs to the Valentine’s Day soundtrack, including the single “Today Was a Fairytale“, which was her first number one on the Canadian Hot 100, and peaked at number two on the Billboard Hot 100. While filming her cinematic debut Valentine’s Day in October 2009, Swift began a romantic relationship with co-star Taylor Lautner; they broke up later that year. In 2009, she made her television acting debut as a rebellious teenager in an CSI: Crime Scene Investigation episode. She also hosted and performed as the musical guest on an episode of Saturday Night Live; she was the first host to write her own opening monologue.
2010–2014: Speak Now and Red
In August 2010, Swift released “Mine“, the lead single from her third studio album, Speak Now. It entered the Hot 100 at number three. Swift wrote the album alone and co-produced every track. Speak Now, released on October 25, 2010, debuted atop the Billboard 200 with first-week sales of one million copies. It became the fastest-selling digital album by a female artist, with 278,000 downloads in a week, earning Swift an entry in the 2010 Guinness World Records. The songs “Mine”, “Back to December“, “Mean“, “The Story of Us“, “Sparks Fly“, and “Ours” were released as singles. All except “The Story of Us” were Hot Country Songs top-three entries, with “Sparks Fly” and “Ours” reaching number one. “Back to December” and “Mean” peaked in the top ten in Canada. Later in 2010, she briefly dated actor Jake Gyllenhaal.
At the 54th Annual Grammy Awards in 2012, Swift won Best Country Song and Best Country Solo Performance for “Mean”, which she performed during the ceremony. Swift won other awards for Speak Now, including Songwriter/Artist of the Year by the Nashville Songwriters Association (2010 and 2011), Woman of the Year by Billboard (2011), and Entertainer of the Year by the Academy of Country Music (2011 and 2012) and the Country Music Association in 2011. At the American Music Awards of 2011, Swift won Artist of the Year and Favorite Country Album. Rolling Stone placed Speak Now at number 45 in its 2012 list of the “50 Best Female Albums of All Time”, writing: “She might get played on the country station, but she’s one of the few genuine rock stars we’ve got these days, with a flawless ear for what makes a song click.”
The Speak Now World Tour ran from February 2011 to March 2012 and grossed over $123 million. In November 2011, Swift released a live album, Speak Now World Tour: Live She contributed two original songs to The Hunger Games soundtrack album: “Safe & Sound“, co-written and recorded with the Civil Wars and T-Bone Burnett, and “Eyes Open”. “Safe & Sound” won the Grammy Award for Best Song Written for Visual Media and was nominated for the Golden Globe Award for Best Original Song. Swift featured on B.o.B‘s single “Both of Us“, released in May 2012. From July to September 2012, Swift dated Conor Kennedy.
In August 2012, Swift released “We Are Never Ever Getting Back Together“, the lead single from her fourth studio album, Red. It became her first number one in the U.S. and New Zealand, and reached the top slot on iTunes‘ digital song sales chart 50 minutes after its release, earning the Fastest Selling Single in Digital History Guinness World Record. Other singles released from the album include “Begin Again“, “I Knew You Were Trouble“, “22“, “Everything Has Changed“, “The Last Time“, and “Red“. “I Knew You Were Trouble” reached the top five on charts in Australia, Canada, Denmark, Ireland, New Zealand, the U.K. and the U.S. Three singles, “Begin Again”, “22”, and “Red”, reached the top 20 in the U.S. Red was released on October 22, 2012. On Red, Swift worked with longtime collaborators Nathan Chapman and Liz Rose, as well as new producers such as Max Martin and Shellback. The album incorporated many pop and rock styles such as heartland rock, dubstep and dance-pop. It debuted at number one on the Billboard 200 with first-week sales of 1.21 million copies, making Swift the first female to have two million-selling album openings—a Guinness World Records. Red was Swift’s first number-one album in the U.K. The Red Tour ran from March 2013 to June 2014 and grossed over $150 million, becoming the highest-grossing country tour when it completed. The album earned several accolades, including four nominations at the 56th Annual Grammy Awards (2014). Its single “I Knew You Were Trouble” won Best Female Video at the 2013 MTV Video Music Awards. Swift received American Music Awards for Best Female Country Artist in 2012, and Artist of the Year in 2013. She received the Nashville Songwriters Association’s Songwriter/Artist Award for the fifth and sixth consecutive years in 2012 and 2013. Swift was honored by the Association with the Pinnacle Award, making her the second recipient of the accolade after Garth Brooks. During this time, she had a short relationship with English singer Harry Styles.
In 2013, Swift recorded “Sweeter than Fiction“, a song she wrote and produced with Jack Antonoff for the One Chance film soundtrack. The song received a Best Original Song nomination at the 71st Golden Globe Awards. She provided guest vocals for Tim McGraw’s song “Highway Don’t Care“, which featured guitar work by Keith Urban. Swift performed “As Tears Go By” with the Rolling Stones in Chicago, Illinois as part of the band’s 50 & Counting tour. She joined Florida Georgia Line on stage during their set at the 2013 Country Radio Seminar to sing “Cruise“. Swift voiced Audrey in the animated film The Lorax (2012), made a cameo in the sitcom New Girl (2013), and had a supporting role in the dystopian drama film The Giver (2014).
2014–2018: 1989 and Reputation
In March 2014, Swift began living in New York City. She worked on her fifth studio album, 1989, with producers Jack Antonoff, Max Martin, Shellback, Imogen Heap, Ryan Tedder, and Ali Payami. She promoted the album through various campaigns, including inviting fans to secret album-listening sessions. The album was released on October 27, 2014, and debuted atop the U.S. Billboard 200 with sales of 1.28 million copies in its first week. Its singles “Shake It Off“, “Blank Space” and “Bad Blood” (featuring rapper Kendrick Lamar) reached number one in Australia, Canada and the U.S., the first two making Swift the first woman to replace herself at the top spot of the Hot 100. The singles “Style” and “Wildest Dreams” reached the top 10 in the U.S. Other singles were “Out of the Woods” and “New Romantics“. The 1989 World Tour ran from May to December 2015 and was the highest-grossing tour of the year with $250 million in total revenue.
Prior to 1989‘s release, Swift stressed the importance of albums to artists and fans. In November 2014, she removed her entire catalog from Spotify, arguing that the streaming company’s ad-supported, free service undermined the premium service, which provides higher royalties for songwriters. In a June 2015 open letter, Swift criticized Apple Music for not offering royalties to artists during the streaming service’s free three-month trial period and stated that she would pull 1989 from the catalog. The following day, Apple Inc. announced that it would pay artists during the free trial period, and Swift agreed to let 1989 on the streaming service. Swift’s intellectual property rights holding company, TAS Rights Management, filed for 73 trademarks related to Swift and the 1989 era memes. She then returned her entire catalog plus 1989 to Spotify, Amazon Music and Google Play and other digital streaming platforms in June 2017. Swift was named Billboard‘s Woman of the Year in 2014, becoming the first artist to win the award twice. At the 2014 American Music Awards, Swift received the inaugural Dick Clark Award for Excellence. On her 25th birthday in 2014, the Grammy Museum at L.A. Live opened an exhibit in her honor in Los Angeles that ran until October 4, 2015, and broke museum attendance records. In 2015, Swift won the Brit Award for International Female Solo Artist. The video for “Bad Blood” won Video of the Year and Best Collaboration at the 2015 MTV Video Music Awards. Swift was one of eight artists to receive a 50th Anniversary Milestone Award at the 2015 Academy of Country Music Awards. At the 58th Grammy Awards in 2016, 1989 won Album of the Year and Best Pop Vocal Album, and “Bad Blood” won Best Music Video. Swift was the first woman and fifth act overall to win Album of the Year twice as a lead artist.
Swift dated Scottish DJ and record producer Calvin Harris from March 2015 to June 2016. Prior to their breakup, they co-wrote the song “This Is What You Came For“, which features vocals from Barbadian singer Rihanna; Swift was initially credited under the pseudonym Nils Sjöberg. After briefly dating English actor Tom Hiddleston for a few months, Swift began dating English actor Joe Alwyn in September 2016. She wrote the song “Better Man” for Little Big Town‘s seventh album, The Breaker, which was released in November. The song earned Swift an award for Song of the Year at the 51st CMA Awards. Swift and English singer Zayn Malik released a single together, “I Don’t Wanna Live Forever“, for the soundtrack of the film Fifty Shades Darker (2017). The song reached number two in the U.S. and won Best Collaboration at the 2017 MTV Video Music Awards. In August 2017, Swift successfully sued David Mueller, a former radio jockey for KYGO-FM. Four years earlier, Swift had informed Mueller’s bosses that he had sexually assaulted her by groping her at an event. After being fired, Mueller accused Swift of lying and sued her for damages from his loss of employment. Shortly after, Swift counter-sued for sexual assault for nominal damages of only one dollar. The jury rejected Mueller’s claims and ruled in favor of Swift.
After a one-year hiatus from the public spotlight, Swift cleared her social media accounts and released “Look What You Made Me Do” as the lead single from her sixth album, Reputation. The single was Swift’s first U.K. number-one single. It topped charts in Australia, Ireland, New Zealand, and the U.S. Reputation was released on November 10, 2017. The album incorporated a heavy electropop sound, along with hip hop, R&B, and EDM influences. It debuted atop the Billboard 200 with first-week sales of 1.21 million copies. With this achievement, Swift became the first act to have four albums sell one million copies within one week in the U.S. The album topped the charts in the UK, Australia, and Canada, and had sold over 4.5 million copies worldwide as of 2018. It spawned three other international singles, including the U.S. top-five entry “…Ready for It?“, and two U.S. top-20 singles—”End Game” (featuring Ed Sheeran and rapper Future) and “Delicate“. Other singles include “New Year’s Day“, which was exclusively released to U.S. country radio, and “Getaway Car“, which was released in Australia only. Reputation was nominated for Best Pop Vocal Album at the 61st Annual Grammy Awards in 2019. At the American Music Awards of 2018, Swift won four awards, including Artist of the Year and Favorite Pop/Rock Female Artist. After the 2018 AMAs, Swift garnered a total of 23 awards, becoming the most awarded female musician in AMA history, a record previously held by Whitney Houston. In April 2018, Swift featured on Sugarland‘s “Babe” from their album Bigger. In support of Reputation, she embarked on her Reputation Stadium Tour, which ran from May to November 2018. In the U.S., the tour grossed $266.1 million in box office and sold over two million tickets, breaking Swift’s own record for the highest-grossing U.S. tour by a woman, which was previously held by her 1989 World Tour in 2015 ($181.5 million). It also broke the record for the highest-grossing North American concert tour in history. Worldwide, the tour grossed $345.7 million, making it the second highest-grossing concert tour of the year. On December 31, Swift released the tour’s accompanying concert film on Netflix.
2018–2020: Lover, Folklore and Evermore
Reputation was Swift’s last album with Big Machine. In November 2018, she signed a new deal with the Universal Music Group; her subsequent releases were promoted by Republic Records. Swift said the contract included a provision for her to maintain ownership of her masters. In addition, in the event that Universal sold any part of its stake in Spotify, it agreed to distribute a non-recoupable portion of the proceeds among their artists. Vox called it a huge commitment from Universal, which was “far from assured” until Swift intervened.
Swift released her seventh studio album, Lover, on August 23, 2019. Besides Jack Antonoff, Swift worked with new producers Louis Bell, Frank Dukes, and Joel Little. Lover made Swift the first female artist to have a sixth consecutive album sell more than 500,000 copies in one week in the U.S. The lead single, “Me!“, debuted at number 100 on the Billboard Hot 100 and rose to number two a week later, scoring the biggest single-week jump in chart history. Other singles from Lover were the U.S. top-10 singles “You Need to Calm Down” and “Lover“, and U.S. top-40 single “The Man“. Lover was the world’s best-selling album by a solo artist of 2019, selling 3.2 million copies. The International Federation of the Phonographic Industry (IFPI) honored Swift as the global best-selling artist of 2019. Swift became first woman to win the honor twice, having previously won in 2014. Lover and its singles earned nominations at the 62nd Annual Grammy Awards in 2020. At the 2019 MTV Video Music Awards, “Me!” won Best Visual Effects, and “You Need to Calm Down” won Video of the Year and Video for Good. Swift was the first female and second artist overall to win Video of the Year for a video that they directed.
While promoting Lover, Swift became embroiled in a public dispute with talent manager Scooter Braun and Big Machine over the purchase of the masters of her back catalog. Swift said she had been trying to buy the masters, but Big Machine only allowed her to do so if she exchanged one new album for each older one under another contract, which she refused to do. Swift began re-recording her back catalog in November 2020. Besides music, she played Bombalurina in the movie adaptation of Andrew Lloyd Webber‘s musical Cats (2019), for which she co-wrote and recorded the Golden Globe-nominated original song “Beautiful Ghosts“. Critics panned the film but praised Swift’s performance. The documentary Miss Americana, which chronicled parts of Swift’s life and career, premiered at the 2020 Sundance Film Festival and was released on Netflix that January. Swift signed a global publishing deal with Universal Music Publishing Group in February 2020 after her 16-year-old contract with Sony/ATV expired.
Amidst the COVID-19 pandemic, Swift released two surprise albums, Folklore—on July 24, and Evermore—on December 11, 2020. Both explore indie folk and alternative rock with a more muted production compared to her previous upbeat pop songs. Swift wrote and recorded the albums with producers Jack Antonoff and Aaron Dessner from the National. Alwyn co-wrote and co-produced select songs under the pseudonym William Bowery. The albums were supported by three singles each, catering to the U.S. mainstream radio, country radio, and triple A radio. The singles, in that order, were “Cardigan“, “Betty“, and “Exile” from Folklore, and “Willow“, “No Body, No Crime“, and “Coney Island” from Evermore. Swift became the first artist to debut a U.S. number-one album and a number-one song at the same time with Folklore‘s “Cardigan” and Evermore‘s “Willow”. Folklore was 2020’s best-selling album in the U.S. with 1.2 million copies. It won Album of the Year at the 63rd Annual Grammy Awards, making Swift the first woman to win the award thrice. At the 2020 American Music Awards, Swift won three awards, including Artist of the Year for a record third consecutive time. She was 2020’s highest-paid musician in the U.S., and the world’s highest-paid solo musician.
2021–present: Re-recordings and Midnights
Following the masters dispute, Swift released two re-recorded albums in 2021, adding “Taylor’s Version” to their titles. The first, Fearless (Taylor’s Version), peaked atop the Billboard 200, becoming the first re-recorded album to do so. It was preceded by the three tracks: “Love Story (Taylor’s Version)“, “You All Over Me” with Maren Morris, and “Mr. Perfectly Fine“, the first of which made Swift the second artist after Dolly Parton to have both the original and the re-recording of a single reach number one on the Hot Country Songs chart. The second re-recording Red (Taylor’s Version) was released on November 12. Its final track, “All Too Well (10 Minute Version)“—accompanied by the namesake short film directed by Swift—debuted at number one on the Hot 100, becoming the longest song in history to top the chart. She was the highest-paid female musician of 2021, and both her 2020 albums and the re-recordings were ranked among the 10 best-selling albums of the year. In May 2021, Swift was awarded the Global Icon Award by the Brit Awards and the Songwriter Icon Award by the National Music Publishers’ Association. Swift further released “Wildest Dreams (Taylor’s Version)” on September 17, 2021, and “This Love (Taylor’s Version)” on May 6, 2022. Outside her albums, she featured on four songs from 2021 to 2022: “Renegade” and “Birch” by Big Red Machine, a remix of Haim’s “Gasoline” and Ed Sheeran’s “The Joker and the Queen“. In 2022, Swift released “Carolina” as part of the soundtrack of the film Where the Crawdads Sing, and appeared briefly in the period comedy Amsterdam.
Swift won three awards at the 2022 MTV Video Music Awards, including Video of the Year (for All Too Well: The Short Film) for a record-breaking third time. In her acceptance speech, she announced her tenth studio album, Midnights, which released on October 21. Swift returned to pop with the album,< experimenting with electronica and chill-out music. Breaking many records worldwide, Midnights and its lead single, “Anti-Hero“, were Spotify’s most-streamed album and song in one day with 185 million and 17.4 million plays, respectively. The fastest-selling album of 2022 in the US, Midnights debuted atop the Billboard 200 with 1.57 million units and marked Swift’s fifth album to open with over a million copies sold. She tied with Barbra Streisand for the most number-one albums among women (11). Swift became the first artist to occupy the Hot 100’s entire top 10, with “Anti-Hero” at the top, “Lavender Haze” at number two and “Snow on the Beach” (featuring Lana Del Rey) at number four.
Artistry
Influences
One of Swift’s earliest memories of music is listening to her grandmother, Marjorie Finlay, sing in church. As a child, she enjoyed Disney film soundtracks: “My parents noticed that, once I had run out of words, I would just make up my own.” Swift said she owes her confidence to her mother, who helped her prepare for class presentations as a child. She also attributes her “fascination with writing and storytelling” to her mother. Swift was drawn to the storytelling aspect of country music, and was introduced to the genre listening to “the great female country artists” of the 1990s—Shania Twain, Faith Hill, and the Dixie Chicks. Twain, both as a songwriter and performer, was her biggest musical influence. Hill was Swift’s childhood role model, and she would often imitate her. She admired the Dixie Chicks’ defiant attitude and their ability to play their own instruments.”Kiss Me” by Sixpence None the Richer was the first song Swift learned to play on the guitar. Swift also explored the music of older country stars such as Patsy Cline, Loretta Lynn, Tammy Wynette, and Dolly Parton, the last of whom she believes is exemplary to female songwriters, and alt-country artists like Patty Griffin and Lori McKenna. As a songwriter, Swift was influenced by Joni Mitchell, citing especially how Mitchell’s autobiographical lyrics convey the deepest emotions; “I think [Blue] is my favorite because it explores somebody’s soul so deeply.”
Swift has also been influenced by various pop and rock artists. She lists Paul McCartney, Bruce Springsteen, Bryan Adams, the Rolling Stones, Emmylou Harris, Kris Kristofferson, and Carly Simon as her career role models. McCartney, both as a member of The Beatles and a soloist, makes Swift feel “as if I’ve been let into his heart and his mind […] He’s out there continuing to make his fans so happy.” She likes Springsteen and the Stones for remaining musically relevant for a long time and credits the Stones with being “a huge influence on my entire outlook on my career.” As she grows older, Swift aspires to be like Harris and prioritize music over fame. She says that Kristofferson “shines in songwriting”, and praised Simon for being emotional but “strong” at the same time. Her synth-pop album 1989 was influenced by some of her favorite 1980s pop acts, including Peter Gabriel, Annie Lennox, Phil Collins, and Madonna. She has also cited Keith Urban‘s musical style and Fall Out Boy‘s lyrics as major influences.
Musical styles
Swift has been described as a “music chameleon” for her venture into diverse genres. She self-identified as a country musician until 2012, when she released her fourth studio album, Red. Her albums were promoted to country radio, but music critics noted wide-ranging styles of pop and rock. After 2010, they observed that Swift’s melodies are rooted in pop music, and the country music elements are limited to instruments such as banjo, mandolin, and fiddle, and her slight twang; some commented that her country music identity was an indicator of her narrative songwriting rather than musical style. Although the Nashville music industry was receptive of Swift’s status as a country musician, critics accused her of abandoning the legitimate roots of country music in favor of crossover success in the mainstream pop market. Red‘s eclectic pop, rock, and electronic styles intensified the critical debate, to which Swift responded, “I leave the genre labeling to other people.”
Music journalist Jody Rosen commented that by originating her musical career in Nashville, Swift made a “bait-and-switch maneuver … planting roots in loamy country soil, then pivoting to pop”. She abandoned her country-music identity in 2014, when she released her synth-pop fifth studio album, 1989, which she described as her first “documented, official pop album”. Her albums Reputation (2017) and Lover (2019) have an upbeat pop production; the former incorporates hip hop and trap elements. Although reviews of Swift’s pop albums were generally positive, critics lamented that the pop music production indicated Swift’s pursuit of mainstream success, which eroded her authenticity as a songwriter nurtured by her country music background. Musicologist Nate Sloan remarked that Swift’s pop music transition was rather motivated by her need to expand her artistry. Swift eschewed mainstream pop in favor of alternative styles like indie rock with her 2020 studio albums, Folklore and Evermore. Clash said her career “has always been one of transcendence and covert boundary-pushing”, reaching a point at which “Taylor Swift is just Taylor Swift”, not defined by any genre.
Voice
Swift possesses a mezzo-soprano vocal range, and a generally soft timbre.During her career as a country singer, her vocals were criticized by some as weak and strained compared to those of her contemporaries.Swift admitted her vocal ability often concerned her in her early career, and has worked hard to improve. After transitioning from country to pop music in 2014, reviews of Swift’s vocals remained mixed; critics complained that she lacks proper vocal technique but appreciated her usage of her voice to communicate her feelings to her audience, prioritizing “intimacy over power and nuance”. They also praised her for refraining from correcting her pitch with Auto-Tune. Los Angeles Times music critic Ann Powers remarked in 2010 that Swift’s defining vocal feature is her attention to detail to convey an exact feeling—”the line that slides down like a contented sigh or up like a raised eyebrow”.
Reviews of Swift’s later albums were more appreciative of her vocals, which they found less nasal, richer, and more resonant. In Folklore and Evermore, music critics complimented her sharp and agile yet translucent and controlled vocals. Pitchfork‘s Sam Sodomsky noted that Swift remains a “versatile, expressive vocalist”. Music theory professor Alyssa Barna said Swift’s timbre is “breathy and bright” in the upper register and “full and dark” in the lower. With her 2021 re-recorded albums, critics began to praise the mature, deeper and “fuller” tone of her voice. Kate Solomon, writing in i, said Swift’s voice is “leagues better now” with her new-found vocal furniture. The Guardian highlighted “yo-yoing vocal yelps” and passionate climaxes as the trademarks of Swift’s voice, and that her country twang has faded away.
Songwriting
Swift has been referred to as one of the greatest songwriters of all time and the best of her generation by several publications. She told The New Yorker in 2011 that she identifies as a songwriter first: “I write songs, and my voice is just a way to get those lyrics across.” Swift’s personal experiences were a common inspiration for her early songs, which helped her navigate the complexities of life. Her “diaristic” technique began with identifying an emotion, followed by a corresponding melody. On her first three studio albums, recurring themes were love, heartbreak, and insecurities, from an adolescent perspective. She delved into the tumult of toxic relationships on Red, and embraced nostalgia and positivity after failed relationships on 1989. Reputation was inspired by the downsides of Swift’s fame, and Lover detailed her realization of the “full spectrum of love”. Besides romance, other themes in Swift’s music include family dynamics, friendship, alienation, self-awareness, and tackling vitriol, especially sexism.
Her confessional songwriting received generally positive reviews from critics; they highlighted its vivid details and emotional engagement, which they found uncommon in a pop musician. Critics praised her melodic songwriting; Rolling Stone described Swift as “a songwriting savant with an intuitive gift for verse-chorus-bridge architecture“. Although reviews of Swift are generally positive, The New Yorker stated she was generally portrayed “more as a skilled technician than as a Dylanesque visionary”. Critic Ann Powers remarked that although Swift’s songs were “not that literary or that wise”, they offered emotional engagement because “the wit and clarity of her arrangements turn them from standard fare to heartfelt disclosures”. Because of her confessional narratives, tabloid media often speculated and linked the subjects of the songs with ex-lovers of Swift, a practice reviewers and Swift herself criticized as sexist. Aside from clues in album liner notes, Swift avoids talking about the subjects of her songs.
On her 2020 albums Folklore and Evermore, Swift was inspired by escapism and romanticism to explore fictional narratives. Without referencing her personal life, she imposed her emotions onto imagined characters and story arcs, which liberated her from the mental stress caused by tabloid attention and suggested new paths for her artistry. In a feature for Rolling Stone, Swift explained that she welcomed the new songwriting direction after she stopped worrying about commercial success. According to Spin, Swift explored complex emotions with “precision and devastation” on Evermore. Consequence stated her 2020 albums provided a chance to convince skeptics of Swift’s songwriting ability, noting her transformation from “teenage wunderkind to a confident and careful adult”.
Swift categorizes her songwriting into three types: “quill lyrics”—referring to songs rooted in antiquated poeticism; “fountain pen lyrics”—modern, vivid storylines; and “glitter pen lyrics”—lively and frivolous styles. Journalists have underscored Swift’s bridges as one of the best aspects of her songs, earning her the title “Queen of Bridges” from Time. Awarding her with the Songwriter Icon Award in 2021, the National Music Publishers’ Association remarked that “no one is more influential when it comes to writing music today” than Swift. The Week deemed her the foremost female songwriter of modern times, and the Nashville Songwriters Association International named her Songwriter-Artist of the Decade in 2022. Carole King considers Swift her “professional grand daughter” and thanked Swift for “carrying the torch forward.” Swift has also published two original poems: “Why She Disappeared” and “If You’re Anything Like Me”.
Video and film
Swift emphasizes visuals as a key creative component of her music making process. She has collaborated with different directors to produce her music videos, and over time she has become more involved with writing and directing. She developed the concept and treatment for “Mean” and co-directed the music video for “Mine” with Roman White. In an interview, White said that Swift “was keenly involved in writing the treatment, casting and wardrobe. And she stayed for both the 15-hour shooting days, even when she wasn’t in the scenes.”
From 2014 to 2018, Swift collaborated with director Joseph Kahn on eight music videos—four each from her albums 1989 and Reputation. Kahn has praised Swift’s involvement in the craft. She worked with American Express for the “Blank Space” music video (which Kahn directed), and served as an executive producer for the interactive app AMEX Unstaged: Taylor Swift Experience, for which she won a Primetime Emmy Award for Outstanding Interactive Program in 2015. Swift produced the music video for “Bad Blood” and won a Grammy Award for Best Music Video in 2016.
Her production house, Taylor Swift Productions, Inc., is credited with producing all of her visual media starting with her 2018 concert documentary Reputation Stadium Tour. She continued to co-direct music videos for the Lover singles “Me!” with Dave Meyers, and “You Need to Calm Down” (also serving as a co-executive producer) and “Lover” with Drew Kirsch, but also ventured into sole direction with the videos for “The Man” (which won her the MTV Video Music Award for Best Direction), “Cardigan” and “Willow”. Folklore: The Long Pond Studio Sessions (2020) marked her directorial debut as a filmmaker, followed by All Too Well: The Short Film, which won her the MTV award for Best Direction for the second time. Swift has cited Chloe Zhao, Greta Gerwig, Nora Ephron, Guillermo del Toro, John Cassavetes and Noah Baumbach as her filmmaking influences.
Philanthropy
Swift is well known for her philanthropic efforts. She was ranked at number one on DoSomething‘s “Gone Good” list, and has received the “Star of Compassion” accolade from the Tennessee Disaster Services, The Big Help Award from the Nickelodeon Kids’ Choice Awards for her “dedication to helping others” as well as “inspiring others through action”. In 2008, she donated $100,000 to the Red Cross to help the victims of the Iowa flood. Swift has performed at charity relief events, including Sydney’s Sound Relief concert In response to the May 2010 Tennessee floods, Swift donated $500,000 during a telethon hosted by WSMV. In 2011, Swift used a dress rehearsal of her Speak Now tour as a benefit concert for victims of recent tornadoes in the U.S., raising more than $750,000. In 2016, she donated $1 million to Louisiana flood relief efforts and $100,000 to the Dolly Parton Fire Fund. Swift donated to the Houston Food Bank after Hurricane Harvey struck the city in 2017. In 2020, she donated $1 million for Tennessee tornado relief.
Swift is a supporter of the arts. She is a benefactor of the Nashville Songwriters Hall of Fame. She has donated $75,000 to Nashville’s Hendersonville High School to help refurbish the school auditorium, $4 million to fund the building of a new education center at the Country Music Hall of Fame and Museum in Nashville, $60,000 to the music departments of six U.S. colleges, and $100,000 to the Nashville Symphony. Also a promoter of children’s literacy, she has donated money and books to various schools around the country to improve education. In 2007, Swift partnered with the Tennessee Association of Chiefs of Police to launch a campaign to protect children from online predators. She has donated items to several charities for auction, including the UNICEF Tap Project and MusiCares. As recipient of the Academy of Country Music’s Entertainer of the Year in 2011, Swift donated $25,000 to St. Jude Children’s Research Hospital, Tennessee. In 2012, Swift participated in the Stand Up to Cancer telethon, performing the charity single “Ronan“, which she wrote in memory of a four-year-old boy who died of neuroblastoma. She has also donated $100,000 to the V Foundation for Cancer Research and $50,000 to the Children’s Hospital of Philadelphia. Swift has encouraged young people to volunteer in their local communities as part of Global Youth Service Day.
Swift donated to fellow singer-songwriter Kesha to help with her legal battles against Dr. Luke and to actress Mariska Hargitay‘s Joyful Heart Foundation organization. During the COVID-19 pandemic, Swift donated to the World Health Organization and Feeding America and offered one of her signed guitars as part of an auction to raise money for the National Health Service. Swift performed “Soon You’ll Get Better” during the One World: Together At Home television special, a benefit concert curated by Lady Gaga for Global Citizen to raise funds for the World Health Organization’s COVID-19 Solidarity Response Fund. In 2018 and 2021, Swift donated to the Rape, Abuse & Incest National Network in honor of Sexual Assault Awareness and Prevention Month. In addition to charitable causes, she has made donations to her fans several times for their medical or academic expenses.
Politics and activism
Swift refrained from discussing politics early in her career, fearing it might influence people. Critics took issue with her previously apolitical stance despite her wealth and celebrity. Swift publicly voiced her political opinion for the first time in the 2018 United States elections, when she endorsed Democratic candidates in her home state, Tennessee. In 2019, Swift told The Guardian that when she started her country music career, she was advised against discussing politics by her label executives because of the consequences of the Dixie Chicks controversy, but finally decided to speak up after she became disillusioned with contemporary American politics and moved out of Big Machine.
She identifies as a pro-choice feminist, and is one of the founding signatories of the Time’s Up movement against sexual harassment. She criticized the US Supreme Court‘s decision to overturn Roe v. Wade (1973) and end federal abortion rights in 2022. Swift advocates for LGBT rights, and has called for the passing of the Equality Act, which prohibits discrimination based on sex, sexual orientation, and gender identity. The New York Times cited her music video for the single “Mean” to note her as a musician having a positive impact on the LGBTQ+ community. Swift performed during WorldPride NYC 2019 at the Stonewall Inn, frequently cited as the birthplace of the modern gay rights movement. She has donated to the LGBT organizations Tennessee Equality Project and GLAAD.
In August 2020, Swift urged her fans to check their voter registration ahead of elections, which resulted in 65,000 people registering to vote within a day after her post. She endorsed Joe Biden and Kamala Harris in the 2020 United States presidential election. Swift has supported the March for Our Lives movement and gun control reform in the U.S., and is a vocal critic of white supremacy, racism, and police brutality in the country. In the wake of the 2020 George Floyd protests, she donated to the NAACP Legal Defense and Educational Fund and the Black Lives Matter movement, called for the removal of Confederate monuments in Tennessee, and advocated for Juneteenth to become a national holiday.
Endorsements
During the Fearless era, Swift supported campaigns by Verizon Wireless and “Got Milk?“. She launched a l.e.i. sundress range at Walmart, and designed American Greetings cards and Jakks Pacific dolls. She became a spokesperson for the National Hockey League‘s (NHL) Nashville Predators and Sony Cyber-shot digital cameras. She launched two Elizabeth Arden fragrances—Wonderstruck and Wonderstruck Enchanted. In 2013, she released the fragrances Taylor by Taylor Swift and Taylor by Taylor Swift: Made of Starlight, followed by her fifth fragrance, Incredible Things, in 2014.
Swift signed a multi-year deal with AT&T in 2016. She later headlined DirecTV‘s Super Saturday Night event on the eve of the 2017 Super Bowl. In 2019, Swift signed a multi-year partnership with Capital One, and released a sustainable clothing line with Stella McCartney. In 2022, in light of her philanthropic support for independent record stores during the COVID-19 pandemic, Record Store Day named Swift their first-ever global ambassador.
Public image
Swift became a teen idol with her debut, and a pop icon following global fame. Billboard noted only few artists have had Swift’s chart success, critical acclaim and fan support. Critics Sam Sanders and Ann Powers regard Swift as a “surprisingly successful composite of megawatt pop star and bedroom singer-songwriter.”
Journalists have written about her polite and “open” personality, calling her a “media darling” and “a reporter’s dream”. Awarding her for her humanitarian endeavors in 2012, former First Lady Michelle Obama described Swift as an artist who “has rocketed to the top of the music industry but still keeps her feet on the ground, someone who has shattered every expectation of what a 22-year-old can accomplish”. Swift was labeled by the media in her early career as “America’s Sweetheart” for her likability and girl-next-door image.
Media outlets describe Swift as a savvy businesswoman. Inc. describes her as an “incredible flywheel” of social media buzz and virtual word-of-mouth, and The Ringer said she is an omnipresent “musical biosphere unto herself”, having achieved the kind of success “that turns a person into an institution, into an inevitability.” Swift is also known for her traditional album roll-outs, consisting of a variety of promotional activities, which Rolling Stone described as an inescapable “multimedia bonanza”. She maintains an active presence on social media and a close relationship with her fans, to which many journalists attribute her success. YouGov surveys ranked Swift as the world’s most admired female musician in 2019–2021. Publications describe her works collectively as a musical or cinematic “universe“, which incorporates easter eggs that are analyzed by media outlets and fans. Study of her music and career has been referred to as “Swiftology”.
Though Swift is reluctant to publicly discuss her personal life—believing it to be “a career weakness”—it is a topic of widespread media attention and tabloid speculation. Clash described Swift as a lightning rod for both praise and criticism. The New York Times asserted in 2013 that her “dating history has begun to stir what feels like the beginning of a backlash” and questioned whether she was in the midst of a “quarter-life crisis“. Critics have highlighted the misogyny and slut-shaming Swift’s life and career have been subject to. Glamour opined Swift is an easy target for male derision, triggering “fragile male egos”. The Daily Telegraph said her antennae for sexism are crucial for the industry and that she “must continue holding people to account”.
Swift’s fashion appeal has been picked up by publications such as People, Elle, Vogue, and Maxim. Her street style has received acclaim. Vogue Australia regards her as an influential figure in sustainable fashion. She co-chaired the 2016 Met Gala. She has reinvented her image and style throughout her career, adopting certain aesthetics consistent with each album cycle. Consequence opined that Swift’s looks evolved from “girl-next-door country act to pop star to woodsy poet over a decade”. Swift further popularized Polaroid motifs with 1989, and cottagecore with Folklore and Evermore.
Impact
Swift, as one of the leading music artists of the 21st-century, has impacted the music industry in many aspects. She helped shape the modern country music scene. Rosen said Swift is the first country act whose fame reached the world beyond the U.S. Her chart success extended to Asia and the U.K., where country music had previously not been popular. She is one of the first country acts to use technology and online marketing techniques such as MySpace to promote their work. According to Entertainment Weekly, the commercial success of her debut helped the infant Big Machine go on to sign Garth Brooks and Jewel. Following Swift’s rise to fame, country labels became more interested in signing young singers who write their own music. With her autobiographical narratives revolving around romance and heartbreak, she introduced the genre to a younger generation that could relate to her. Critics have since noted Swift’s sound resonating in various albums released by female country singers like Kacey Musgraves, Maren Morris and Kelsea Ballerini. Rolling Stone listed Swift’s country music as one of the biggest influences on 2010s pop music, and ranked her 80th in their 100 Greatest Country Artists of All Time list.
Her onstage performances with guitars contributed to the “Taylor Swift factor”, a phenomenon to which upsurge in guitar sales to women, a previously ignored demographic, is attributed. Pitchfork opined, Swift changed the contemporary music landscape forever with her “unprecedented path from teenage country prodigy to global pop sensation” and a “singularly perceptive” discography that consistently accommodates both musical and cultural shifts. Clash stated Swift’s genre-spanning career encouraged her peers to experiment with diverse sounds. Billboard credited her with influencing artists to take creative ownership of their music and said she “has the power to pull any sound she wants into mainstream orbit”. Music journalist Nick Catucci wrote, in being personal and vulnerable in her lyrics, Swift helped make space for later pop stars like Billie Eilish, Ariana Grande, and Halsey to do the same. According to The Guardian, Swift leads the rebirth of poptimism in the 21st-century with her ambitious artistic vision.
Publications consider Swift’s million-selling albums an anomaly in the streaming-dominated industry following the end of the album era in the 2010s. For this reason, musicologists Mary Fogarty and Gina Arnold regard her as “the last great rock star”. Swift is the only artist to have four albums sell over a million copies in one week since Nielsen SoundScan began tracking sales in 1991. To New York magazine, her sales figures prove that she is “the one bending the music industry to her will”. The Atlantic notes that Swift’s “reign” defies the convention that the successful phase of an artist’s career rarely lasts more than a few years. She is regarded as a champion for independent record shops, and contributed to the 21st-century vinyl revival. Variety dubbed Swift the “Queen of Stream” when she set multiple records on music streaming platforms as well.
Swift has influenced numerous mainstream and indie music artists, authors, screenwriters and filmmakers. According to Billboard, Business Insider, and The New York Times, her albums have inspired an entire generation of singers and songwriters. Journalists note how her actions have fostered debate over reforms to music streaming and prompted awareness of intellectual property rights among younger musicians, praising her ability to bring change in the industry. Various sources deem Swift’s music to be representative and paradigmatic of the millennial generation, owing to her success, versatility, internet presence and shows. Vox called her the “millennial Bruce Springsteen“, whereas The Times named her “the Bob Dylan of our age”. She earned the title Woman of the Decade (2010s) from Billboard and the Artist of the Decade (2010s) at the American Music Awards, and received the Brit Global Icon Award “in recognition of her immense impact on music across the world”.
She is a subject of academic study; University of Texas at Austin, New York University, and Queen’s University at Kingston offer courses on Swift’s discography in literary and sociopolitical contexts. Professor Elizabeth Scala said Swift bridges the gap between contemporary and historical fiction. Highlighting a 2017 Association for Psychological Science report about the decline of nature-themed words in popular culture, conservation scientist Jeff Opperman opined in The New York Times that Swift’s songs are “filled with the language and images of the natural world”, bringing back nature into contemporary culture. Some of her popular songs like “Love Story” are studied by evolutionary psychologists to understand the relationship between popular music and human mating strategies. In 2022, entomologists named a new millipede species, Nannaria swiftae, in her honor.
Accolades and achievements
Swift has won 11 Grammy Awards (including three for Album of the Year—tying for the most by an artist), an Emmy Award, 34 American Music Awards (the most won by an artist), 29 Billboard Music Awards (the most won by a woman), 62 Guinness World Records, 14 MTV Video Music Awards (including three Video of the Year wins—the most by an act), 12 Country Music Association Awards (including the Pinnacle Award), eight Academy of Country Music Awards, and two Brit Awards. As a songwriter, she has been honored by the Nashville Songwriters Association, the Songwriters Hall of Fame, and the National Music Publishers’ Association and was the youngest person on Rolling Stone‘s list of the 100 Greatest Songwriters of All Time in 2015. At the 64th BMI Awards in 2016, Swift was the first woman to be honored with an award named after its recipient.
From available data, Swift has amassed over 50 million album sales, 150 million singles sales, and 114 million units in album consumption worldwide, including 78 billion streams. She has the most number-one albums in the United Kingdom and Ireland for a female artist in this millennium, and earned the highest income for an artist on Chinese digital music platforms—RMB 159,000,000. She is the only artist to have received more than 200 million streams on Spotify in a day, with 228 million streams on October 21, 2022. She has the most entries and the most simultaneous entries for an artist on the Billboard Global 200, with 69 and 31 songs, respectively. Swift’s Reputation Stadium Tour (2018) broke the record for the highest-grossing North American tour ever, with her being the world’s highest-grossing female touring act of the 2010s. Beginning with Fearless, all of her studio albums sold over a million units globally in their opening weeks.
In the U.S., Swift has sold over 37.3 million albums as of 2019, when Billboard placed her eighth on its Greatest of All Time Artists Chart. Eight of her songs have topped the Billboard Hot 100. She is the longest-reigning act of Billboard Artist 100 (50 weeks at number one), the soloist with the most cumulative weeks (55) atop the Billboard 200, the woman with the most weeks atop the Top Country Albums (98) and Billboard Hot 100 entries (168), and the act with the most Digital Songs number-ones (23). She is the second highest-certified female digital singles artist (and third overall) in the U.S., with 134 million total units certified by the Recording Industry Association of America (RIAA), and the first female artist to have both an album (Fearless) and a song (“Shake It Off”) certified Diamond.
Swift has appeared in various power listings. Time included her on its annual list of the 100 most influential people in 2010, 2015, and 2019. She was one of the “Silence Breakers” honored as Time Person of the Year in 2017 for speaking up about sexual assault. In 2014, she was named to Forbes‘ 30 Under 30 list in the music category and again in 2017 in its “All-Star Alumni” category. Swift became the youngest woman to be included on Forbes‘ list of the 100 most powerful women in 2015, ranked at number 64, and was the most googled female musician of 2019. For her work and achievements as “one of the most prolific and celebrated artists of her generation,” Swift received an honorary Doctor of Fine Arts degree from New York University and served as its commencement speaker on May 18, 2022.
Wealth
Swift’s net worth is $570 million, per a 2022 Forbes estimate. Additionally, her publication rights over her first six albums are valued at $200 million. From 2011 to 2020, she appeared in the top three of the Forbes Top-Earning Women in Music list, topping it in 2016 and 2019. She was the highest-paid celebrity of 2016 with $170 million—a feat recognized by the Guinness World Records as the highest annual earnings ever for a female musician, which she herself surpassed with $185 million in 2019. Overall, Swift was the highest paid female artist of the 2010s decade, earning $825 million. She has invested in a real estate portfolio worth $84 million, including the Samuel Goldwyn Estate in Beverly Hills, California; the High Watch in Watch Hill, Rhode Island; and multiple adjacent purchases in Tribeca, Manhattan, nicknamed as “Taybeca” by local realtors.
Distinctive Features
Towering height
Red lips
Glittery guitars
Cowboy boots
Her songs generally tell the story, mostly about her exes.
First Album
On October 24, 2006, Taylor Swifto debut album was released in her own name, i.e. Taylor Swift. ‘Tim McGraw‘ was a lead single from Taylor Swift album.
First Film
Taylor’ first film is Jonas Brothers: The 3D Concert Experience in 2009 for her cameo role as herself.
Also, in 2009, she appeared in Hannah Montana: The Movie as a cameo.
But, in 2010, she appeared on Valentineo Day for her role as Felicia Miller (and not cameo).
Taylor Swift Favorite Things
Favorite Food – Cheesecake
Favorite TV Programs – CSI (2000), Law and Order (1990-2010)
Favorite Color – Red
Favorite Bands – Dixie Chicks, Dolly Parton, Patsy Cline, Leann Rimes, Shania Twain, One Direction
Favorite Movies – Love Actually (2003), Legally Blonde (2001)
Favorite Hobby – Driving Fast
Favorite Song – What Makes You Beautiful (One Direction)
Favorite Place – Kansas and Australia
Favorite Meal – Breakfast at Cracker Barrel
Favorite Season – Summer
Favorite Celebrity – Ellen DeGeneres
Favorite Music – Katy Perry, Tom Petty, Keith Urban, John Mayer
Taylor Swift Facts
Taylor Swift was taught how to play guitar (especially how to play three chords on a guitar) when she was 12 years old.
Taylor is considered to be one of the finest songwriters of pop by the New York Times.
Tayloro lucky number is 13.
Taylor was named Billboardo Woman of the Year in 2011.
She was named “Taylor” by her mother Andrea, after the singer James Taylor. Her mother thought that the gender-neutral name would help Taylor to become successful in life.
Swift donated $75,000 in September 2010 to Nashvilleo Hendersonville High School to improve the auditoriumo feel and look.
Taylor Swifto grandmother was an Opera singer.
She has a pet cat since 2012, named Meredith.
Taylor attempted 3 times to get the driving license when she was 15.
English horse riding is one of her early hobbies.
In 2015, she was placed at #1 spot on Maximo Hot 100 list.
In May 2017, Taylor couldn’t reach a fano graduation party (after she invited Taylor), so she sent flowers and a message to her fan, Ashley.
Her interest in musical theater grew at the age of 9.
As per Forbes, Taylor Swifto net worth was estimated at $280 million in June 2017.
Taylor doesn’t talk about politics publicly. This is because she is aware of the fact that whatever she would say publicly would have its impact on people and she doesn’t want that. Taylor is sometimes called “studiously apolitical”.
At the age of 15, Taylor received her drivero permit. But, it took 3 attempts to get that.
She has released her own Elizabeth Arden fragrances such as Wonderstruck, Wonderstruck Enchanted, and Taylor by Taylor Swift.
When Forbes mentioned her in their “100 most powerful women” list in 2015, Taylor Swift became the youngest woman ever to be included in the list. She was placed at #64.
Media has given her the term “Americao Sweetheart”.
In 2015, Apple had decided not to pay royalties to the artists for the songs played during the trial of their new music-streaming service. Taylor threatened Apple that she would take back her album titled 1989 from their service. Within 24 hours, Apple changed their mind.
During the 2018 American Music Awards, Taylor had brought her pregnant friend Claire Winter as her date. After Taylor won an award at the 2018 AMA, she also gave a shout-out to her pregnant friend.
After winning 4 awards in 2018 AMAs, she became the first female artist for most AMA wins. Tayloro total AMA awards tally had reached 23 bypassing the previous record holder, Whitney Houston.
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